Directing Actors: Creating Memorable Performances for Film and TelevisionThis is essential reading for anyone interested in directing or acting. Judith Weston's brilliance is to recognize that directors, actors, writers, and technicians are involved in a process that is at essence a collaboration. In order for them to have the best shot at creating something true and meaningful, they must share a language and a method of exchange that fosters creative cooperation. Weston rightly sees the director as the central figure in inspiring the energy of a production's harmony. She advises the prospective director on every aspect of a stage or film production, showing how the director can draw the best performances possible from actors. -- From Amazon.com. |
From inside the book
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Page 81
... standing I described above : that of thinking that listening is no more than hearing the other actor's lines and inflections . No. It is the attention , the ... stand out and still look good , but really 81 LISTENING AND TALKING.
... standing I described above : that of thinking that listening is no more than hearing the other actor's lines and inflections . No. It is the attention , the ... stand out and still look good , but really 81 LISTENING AND TALKING.
Page 186
... stand it when anyone gets one up on me . " Putting it in the first person makes him feel something . Maybe discomfort . Maybe a pang of recognition . In fact , when he puts it that way , he may realize that there is a little bit of ...
... stand it when anyone gets one up on me . " Putting it in the first person makes him feel something . Maybe discomfort . Maybe a pang of recognition . In fact , when he puts it that way , he may realize that there is a little bit of ...
Page 287
... Stand next to the camera . In order to see the tiny differences between a good performance and a mediocre performance , you need to watch the actors , not from the video monitor , but from next to the camera . Some directors can tell if ...
... Stand next to the camera . In order to see the tiny differences between a good performance and a mediocre performance , you need to watch the actors , not from the video monitor , but from next to the camera . Some directors can tell if ...
Other editions - View all
Directing Actors: Creating Memorable Performances for Film and Television Judith Weston No preview available - 2014 |
Directing Actors - 25th Anniversary Edition: Memorable Performances for Film ... Judith Weston Judith No preview available - 2021 |
Common terms and phrases
acter acting action verb actor needs actor playing actors and directors adjectives adjustment Adrian Lyne allow Angel Anthony Hopkins audience behavior believe camera casting char character character's choice comedy concentration connection create creative donut Elia Kazan emotional event emotional map energy example experience facts feel film Glenn Close happen Harvey Keitel hear ideas images improvise impulse intention Jessica Lange John Cassavetes John Travolta keep line readings listening look Major Beat Marlon Brando Martin Scorsese mean moment-by-moment movie objective performance person physical playable problem question reality Red Ryder rehearsal relationship result direction role Sanford Meisner scene script analysis sense of belief sensory shooting shot Sidney Lumet simple someone Sometimes specific spine stage directions Stella Adler Stephen story subtext subworld talk technique thing through-line tion transitions understand watching Woody Allen words wrong