Directing Actors: Creating Memorable Performances for Film and TelevisionThis is essential reading for anyone interested in directing or acting. Judith Weston's brilliance is to recognize that directors, actors, writers, and technicians are involved in a process that is at essence a collaboration. In order for them to have the best shot at creating something true and meaningful, they must share a language and a method of exchange that fosters creative cooperation. Weston rightly sees the director as the central figure in inspiring the energy of a production's harmony. She advises the prospective director on every aspect of a stage or film production, showing how the director can draw the best performances possible from actors. -- From Amazon.com. |
From inside the book
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Page 8
... understand its magnitude . You are the protector ; only you can say whether the work is good enough . You must make sure the work is good and that the actor looks good , and so you have to know what is good work and what isn't ...
... understand its magnitude . You are the protector ; only you can say whether the work is good enough . You must make sure the work is good and that the actor looks good , and so you have to know what is good work and what isn't ...
Page 11
... understand the script , and that the characters and the events that befall them spring to life in your imagination ... understanding must be communicated : they need clear , brief , playable direction . If any . Perhaps it would be more ...
... understand the script , and that the characters and the events that befall them spring to life in your imagination ... understanding must be communicated : they need clear , brief , playable direction . If any . Perhaps it would be more ...
Page 106
... understand about choosing an objective is not to get stuck making us believe the truth of the words spoken . If I say , " I really want you to understand this , " my intention is probably not to have you believe that I want you to ...
... understand about choosing an objective is not to get stuck making us believe the truth of the words spoken . If I say , " I really want you to understand this , " my intention is probably not to have you believe that I want you to ...
Other editions - View all
Directing Actors: Creating Memorable Performances for Film and Television Judith Weston No preview available - 2014 |
Directing Actors - 25th Anniversary Edition: Memorable Performances for Film ... Judith Weston Judith No preview available - 2021 |
Common terms and phrases
acter acting action verb actor needs actor playing actors and directors adjectives adjustment Adrian Lyne allow Angel Anthony Hopkins audience behavior believe camera casting char character character's choice comedy concentration connection create creative donut Elia Kazan emotional event emotional map energy example experience facts feel film Glenn Close happen Harvey Keitel hear ideas images improvise impulse intention Jessica Lange John Cassavetes John Travolta keep line readings listening look Major Beat Marlon Brando Martin Scorsese mean moment-by-moment movie objective performance person physical playable problem question reality Red Ryder rehearsal relationship result direction role Sanford Meisner scene script analysis sense of belief sensory shooting shot Sidney Lumet simple someone Sometimes specific spine stage directions Stella Adler Stephen story subtext subworld talk technique thing through-line tion transitions understand watching Woody Allen words wrong