The Analysis of Beauty: Written with a View of Fixing the Fluctuating Ideas of Taste

Albert Durer ANALYSIS OF BEAUTI ancients Andrea Sacchi Antinous antique appear Beau Ideal body breadth called CHAPTER character chiefly colours common composed composition conceived considered curtesy cuticula dancing degree dimensions disagreeable distance distinct doth dress effect elegant endeavour equal expressed face figure fitness give given gradating Grecians hand head horn idea imagination imitate kind Lamozzo legs length light and shade limbs line of beauty line of grace lour manner means ment mind minuet motion move movements muscles nature hath objects observed ogee ornamental ovolo painters painting particular pencil perfect perly plain lines plate pleasing prime tints principles proper proportion Protogenes purpose quantity reader retiring shade RIETY round sculpture seen serpen serpentine line serpentine-lines shapes shew shewn sight simplicity sort species statue straight lines sufficient supposed surface taken taste tion turns twisted uniform utmost varied variety waving line waving-line whole winding wires