Media Cultures: Reappraising Transnational MediaMichael Skovmand, Kim Christian Schrøder This book, first published in 1992, challenges the elitism and cultural pessimism of much Anglo-American and Continental cultural debate with regard to the role and power of transnational media practices. In a series of ten innovative essays, an international group of media researchers explores a wide range of cultural practices across national borders and the cultural politics associated with these everyday practices and debates. |
Contents
Cover | |
Citizens consumers and public culture | |
Modernity and media panics | |
syndicated | |
A bout | |
the whole picture | |
Postwar Americanisation and | |
genre | |
ªcult film as | |
reception perspective on judgements | |
Other editions - View all
Media Cultures: Reappraising Transnational Media Michael Skovmand,Kim Christian Schrøder Limited preview - 2016 |
Media Cultures: Reappraising Transnational Media Michael Skovmand,Kim Christian Schrøder No preview available - 2016 |
Common terms and phrases
aesthetic American culture American popular culture Americanisation analysis argued audience avant garde bout de souffle British British Film Institute broadcasting channels characterised cinema citizenship commercial concept contemporary contestants critical cult culture cult event cult film cultural identity cultural industry cultural practices cultural quality Danish debate deconstruction defined Denmark Dennis Potter discourse diversity dominant entertainment Europe European example forms game shows genre Hebdige Hollywood institutions intellectuals intertextual Jesse London Lykkehjulet mainstream mass culture mass media means media cultures media panics melodrama meta-fictional Michel mini-series modern multi-channel universe narration narrative Norwegian organised Pennies from Heaven plot political postmodern Potter production programme public communications public-service question reception relation Rocky Horror Picture role Routledge Schrøder screen sense Singing Detective soap opera social story structure taste television fiction textual traditional viewers visual watching Wheel of Fortune working-class