Playing ShakespeareTogether with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Page 43
... better for the King of Heaven that hath him . ANNE : He is in heaven , where thou shalt never come . RICHARD : Let ... better husband . ANNE : His better doth not breathe upon the earth . RICHARD : He lives , that loves thee better than ...
... better for the King of Heaven that hath him . ANNE : He is in heaven , where thou shalt never come . RICHARD : Let ... better husband . ANNE : His better doth not breathe upon the earth . RICHARD : He lives , that loves thee better than ...
Page 44
John Barton, Royal Shakespeare Company. RICHARD : He lives , that loves thee better than he could . ANNE : Name him . RICHARD : ANNE : Plantagenet . Why that was he . RICHARD : The selfsame name , but one of better nature . ANNE : Where ...
John Barton, Royal Shakespeare Company. RICHARD : He lives , that loves thee better than he could . ANNE : Name him . RICHARD : ANNE : Plantagenet . Why that was he . RICHARD : The selfsame name , but one of better nature . ANNE : Where ...
Page 130
... better soldier than rashness . Tell him we could have rebuked him at Harfleur , but that we thought not good to bruise an injury till it were full ripe . Now we speak upon our cue , and our voice is imperial . Henry V. III.6 . Hold it ...
... better soldier than rashness . Tell him we could have rebuked him at Harfleur , but that we thought not good to bruise an injury till it were full ripe . Now we speak upon our cue , and our voice is imperial . Henry V. III.6 . Hold it ...
Contents
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Copyright | |
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actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words