Playing ShakespeareTogether with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Page 30
... example : U There is a tide in the affairs of men . n- Only four strong stresses again , not five . " There is a tide in the affairs of men ' . Let's have another example : HAMLET ( Alan Howard ) : To be or not to be , that is the ...
... example : U There is a tide in the affairs of men . n- Only four strong stresses again , not five . " There is a tide in the affairs of men ' . Let's have another example : HAMLET ( Alan Howard ) : To be or not to be , that is the ...
Page 39
... example : ' But soft , no bedfellow . O gods and goddesses ' . This is slightly trickier . The ' -esses ' of ' goddesses ' is scanned as two light stresses . It's a relatively rare example of a double feminine ending . It takes into ...
... example : ' But soft , no bedfellow . O gods and goddesses ' . This is slightly trickier . The ' -esses ' of ' goddesses ' is scanned as two light stresses . It's a relatively rare example of a double feminine ending . It takes into ...
Page 41
... example . Sometimes there are single bits of pronunciation which don't actually affect the verse like that but which also sound better . Jane Lapotaire : I remember you saying that in Troilus and Cressida there's a character who today ...
... example . Sometimes there are single bits of pronunciation which don't actually affect the verse like that but which also sound better . Jane Lapotaire : I remember you saying that in Troilus and Cressida there's a character who today ...
Contents
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Copyright | |
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Common terms and phrases
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words