Playing ShakespeareTogether with Royal Shakespeare Company actors including Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet, director John Barton demonstrates how to adapt Elizabethan theater for the modern stage. Barton begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. |
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Page 201
... poetry entirely to hidden and seemingly naturalistic poetry . Each is in its different way about Time , a subject which , again and again , Shakespeare handles poetically . The first of them is the poetry of rhetoric . The problem is ...
... poetry entirely to hidden and seemingly naturalistic poetry . Each is in its different way about Time , a subject which , again and again , Shakespeare handles poetically . The first of them is the poetry of rhetoric . The problem is ...
Page 205
... poetry and let it carry you . You can't worry about it while you're doing the line . Or can you ? Ben Kingsley : I think you've got to let go and trust it . It's rather like pouring molten metal into a ... POETRY AND HIDDEN POETRY · 205.
... poetry and let it carry you . You can't worry about it while you're doing the line . Or can you ? Ben Kingsley : I think you've got to let go and trust it . It's rather like pouring molten metal into a ... POETRY AND HIDDEN POETRY · 205.
Page 209
... poetry , which is a little bit of super - reality . And truth of character . It's the fusion of poetry , truth and character that is required in Shakespeare . Reality , poetry and character : three balls that we have to juggle with all ...
... poetry , which is a little bit of super - reality . And truth of character . It's the fusion of poetry , truth and character that is required in Shakespeare . Reality , poetry and character : three balls that we have to juggle with all ...
Contents
Foreword by Trevor Nunn page | 1 |
Objective Things | 5 |
The Two TraditionsElizabethan and Modern Acting | 6 |
Copyright | |
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Common terms and phrases
actor actually Alan Howard ambiguity antitheses Antonio audience Barbara Leigh-Hunt believe Ben Kingsley blank verse Brutus Caesar character course Cressida David Suchet de-dum death Desdemona director Donald Sinden dost doth Elizabethan EMILIA emotions example FALSTAFF feel FESTE give Hamlet happens hath heightened language Henry honour Ian McKellen intention irony Jane Lapotaire Judi Dench King Kingsley Lisa Harrow listen look mean Merchant of Venice Michael Pennington Mike Gwilym naturalistic Norman Rodway once ORSINO Othello passage passion Patrick Stewart pause perhaps Playing Shakespeare poetic poetry PORTIA prose question rehearsal rhythm Richard Pasco Roger Rees scene sense sentence Shakespeare's text Sheila Hancock Shylock soliloquy sometimes sonnet sooth I know sounds speak speech strong stresses talking tell theatre thee there's thing thou thought Tony Church tradition Troilus Tubal verse line verse-line VIOLA words