Romeo and Juliet: Third SeriesThis major new edition of Shakespeare's greatest tragedy of love argues that that play is ultimately Juliet's. The play text is expertly edited and the on-page commentary notes discuss issues of staging, theme, meaning and Shakespeare's use of his sources to give the reader deep and engaging insights into the play. The richly illustrated introduction looks at the play's exceptionally beautiful and complex language and focuses on the figure of Juliet as being at its centre. René Weis discusses the play's critical, stage and film history, including West Side Story and Baz Luhrmann's seminal film Romeo + Juliet. This is an authoritative edition from a leading scholar, giving the reader a penetrating and wide-ranging insight into this ever popular play. |
From inside the book
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Page xiii
... words adequately defined in the latest edition of The Concise Oxford Dictionary or Merriam-Webster's Collegiate Dictionary, but in cases of doubt they will include notes. Attention, however, will be drawn to places where more than one ...
... words adequately defined in the latest edition of The Concise Oxford Dictionary or Merriam-Webster's Collegiate Dictionary, but in cases of doubt they will include notes. Attention, however, will be drawn to places where more than one ...
Page xvii
... words', an undertaking which prompted me to reconsider ideas I had taken for granted. At uCl, I owe much to michael Worton, whose literary gifts, idealism and unwavering sense of duty continue to inspire. In my Department, Rosemary ...
... words', an undertaking which prompted me to reconsider ideas I had taken for granted. At uCl, I owe much to michael Worton, whose literary gifts, idealism and unwavering sense of duty continue to inspire. In my Department, Rosemary ...
Page 2
... word by Shakespeare. The play's magnetism does not reside exclusively in its language, even though it exhibits some of Shakespeare's most expressive rhetorical fugues before Hamlet: it has many affinities with Love's Labour's Lost and ...
... word by Shakespeare. The play's magnetism does not reside exclusively in its language, even though it exhibits some of Shakespeare's most expressive rhetorical fugues before Hamlet: it has many affinities with Love's Labour's Lost and ...
Page 3
Third Series William Shakespeare René Weis. death.1 The word 'thirteen' never occurs in the play, but Juliet speaks thirteen lines in Act 5, one line for every year of her life, with the thirteenth ending on 'die' (5.3.170). Such evident ...
Third Series William Shakespeare René Weis. death.1 The word 'thirteen' never occurs in the play, but Juliet speaks thirteen lines in Act 5, one line for every year of her life, with the thirteenth ending on 'die' (5.3.170). Such evident ...
Page 15
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Common terms and phrases
Abbott Ard2 Balthasar banished Benvolio Brooke Brooke’s called Cam2 Capell Capulet CAPULET’S WIFE cited County Paris cousin dance dead death doth earth edited Enter ROMEO Exeunt Exit eyes fair father film foul papers FRIAR LAURENCE Gregory hand hast hath heart heaven hence kiss lady Lammastide lines Loehlin Lord loue love’s Love’s Labour’s Lost lovers maid Mantua marriage married meaning Mercutio Midsummer Night’s Dream Montague musicians Nashe Nashe’s night notes Nurse Nurse’s Olivia Hussey Oxf1 Paris Peter play’s Pope Prince PRINCE Escalus prose proverbial Dent Q1 SD quartos Queen Mab reading reference rhyme role Romeo and Juliet Romeus Rosaline Rowe SAMSON scene SERVINGMAN sexual Shakespeare sonnet speak speech stage directions subst suggests sweet tell thee There’s thou art tomb Tragedie Tybalt Verona verse wedding Williams wilt word young Zeffirelli