Dramatic Technique |
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... dramatist is born , not made . " This common saying grants the dramatist at least one experience of other artists , namely , birth , but seeks to deny him the instruction in art granted the architect , the painter , the sculptor , and ...
... dramatist is born , not made . " This common saying grants the dramatist at least one experience of other artists , namely , birth , but seeks to deny him the instruction in art granted the architect , the painter , the sculptor , and ...
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... dramatist by placing before him , not mere theories of play - writing , but the practice of the dramatists of the past , so that what they have shared in common , and where their practice has differed , may be clear to him ? That is all ...
... dramatist by placing before him , not mere theories of play - writing , but the practice of the dramatists of the past , so that what they have shared in common , and where their practice has differed , may be clear to him ? That is all ...
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... dramatist may be defined , roughly , as his ways , methods , and devices for getting his desired ends . No dramatist has this technique as a gift at birth , nor does he acquire it merely by writing plays . He reads and sees past and ...
... dramatist may be defined , roughly , as his ways , methods , and devices for getting his desired ends . No dramatist has this technique as a gift at birth , nor does he acquire it merely by writing plays . He reads and sees past and ...
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... dramatists at second hand . Yet the history of the drama has shown again and again that a dramatist may owe something to the plays of a preceding period and achieve success . The influence of the Greek drama on The Servant in the House ...
... dramatists at second hand . Yet the history of the drama has shown again and again that a dramatist may owe something to the plays of a preceding period and achieve success . The influence of the Greek drama on The Servant in the House ...
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... dramatist is using a stage different from that of his forebears , and , secondly , because he is writing for a public of different standards in morals and art . Comparison for a moment of the stage of the Greeks with the stage of the ...
... dramatist is using a stage different from that of his forebears , and , secondly , because he is writing for a public of different standards in morals and art . Comparison for a moment of the stage of the Greeks with the stage of the ...
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Common terms and phrases
action audience become begins better bring Brown called character characterization clear close comes course curtain desired dialogue door drama dramatist effect emotion Enter eyes fact falls father feeling figure final give given goes Hajji hand head hear heart hold husband idea illustrative interest John keep King Lady leave light lines live look Lord Mary material means mind mother move nature necessary never night once opening pass person play plot possible present scenario scene seems shows situation speak speech stage stand story Sultan sure tell thee thing thou thought tion turn wife window wishes woman write York young
Popular passages
Page 56 - Quick, as it fell, from the broken staff Dame Barbara snatched the silken scarf. She leaned far out on the window-sill, And shook it forth with a royal will. ' Shoot, if you must, this old gray head, But spare your country's flag,' she said. A shade of sadness, a blush of shame, Over the face of the leader came; The nobler nature within him stirred To life at that woman's deed and word; ' Who touches a hair of yon gray head Dies like a dog ! March on !
Page 199 - I only regret that I have but one life to lose for my country...
Page 55 - In her attic-window the staff she set, To show that one heart was loyal yet. Up the street came the rebel tread, Stonewall Jackson riding ahead. Under his slouched hat left and right He glanced : the old flag met his sight.
Page 141 - I, that am curtail'd of this fair proportion, Cheated of feature by dissembling nature, Deform'd, unfinish'd, sent before my time Into this breathing world, scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them...
Page 141 - Now is the winter of our discontent Made glorious summer by this sun of York ; And all the clouds that lour'd upon our house In the deep bosom of the ocean buried. Now are our brows bound with victorious wreaths ; Our bruised arms hung up for monuments ; Our stern alarums changed to merry meetings, Our dreadful marches to delightful measures.
Page 35 - It was the lark, the herald of the morn, No nightingale ; look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops; I must be gone and live, or stay and die.
Page 367 - Excellent wretch ! Perdition catch my soul, But I do love thee ! and when I love thee not Chaos is come again.
Page 267 - To be more prince) as may be. — You are sad. Hub. Indeed, I have been merrier. Arth. Mercy on me ! Methinks, nobody should be sad but I : Yet, I remember, when I was in France, Young gentlemen would be as sad as night, Only for wantonness.
Page 33 - Ah, Faustus, Now hast thou but one bare hour to live, And then thou must be damned perpetually! Stand still, you ever-moving spheres of heaven, That time may cease, and midnight never come; Fair Nature's eye, rise, rise again and make Perpetual day; or let this hour be but A year, a month, a week, a natural day, That Faustus may repent and save his soul!
Page 271 - For heaven's sake, Hubert, let me not be bound! Nay, hear me, Hubert: drive these men away, And I will sit as quiet as a lamb; I will not stir, nor wince, nor speak a word, Nor look upon the iron angerly. Thrust but these men away, and I'll forgive you, Whatever torment you do put me to.