Music of the Soviet Era: 1917-1991

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Routledge, Nov 25, 2016 - Music - 528 pages

This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, ‘modernist’ and ‘conservative’, ‘nationalist’ and ‘cosmopolitan’ composers of the Soviet era. The book’s three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called ’Bronze Age’ of Soviet music after Stalin’s death. Music of the Soviet Era: 1917–1991 considers the privileged position of music in the USSR in comparison to the written and visual arts. Through his examination of the history of the arts in the Soviet state, Hakobian’s work celebrates the human spirit’s wonderful capacity to derive advantage even from the most inauspicious conditions.

 

Contents

List of examples
The distribution of forces on the musical scene during the early post
Roslavetz Aleksandrov Feynberg Lyatoshinsky
Myaskovsky and his Sixth Symphony
Shcherbachëv and his Blok Symphony
New developments in nonEuropean regions
The rise of Shostakovich
PART III
The progress of events
Shostakovich in 195375
Shostakovichs disciples
The great three and other major figures
Innovative tendencies outside Russia
Some independents and middleroads
Conclusion
Chronological table

The beginnings of the big Soviet style Shostakovichs Lady Macbeth of Mtzensk
The second half of the thirties the period of maturity of Soviet music
The war and early postwar years
The year 1948 and after

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About the author (2016)

Levon Hakobian, born 1953 in Yerevan, Armenia, is Head of the Department of Music Theory at the State Institute of Art Studies, Moscow, Russia. He has published widely on a number of topics, including Soviet Music, 20th century composers, medieval Armenian sacred chants, and topical problems of musical science.

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