Small-Gauge Storytelling

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Edinburgh University Press, May 30, 2013 - Performing Arts - 288 pages
This book focuses on amateur fiction film-making
 

Contents

AMBITIONS AND ARGUMENTS EXPLORING AMATEUR CINEMA THROUGH FICTION
1
PART I FRAMING FICTION
31
THE PROBLEMATICAL VALUE OF AMATEUR CINE FICTION
33
2 SEWELL ROSE AND THE AESTHETICS OF AMATEUR CINE FICTION
55
ANALYSING FAMILY FICTION FILMS FROM THE 1930s
83
SWEDISH AMATEUR FICTION FILM 1930 TO 1965
102
PART II STUDIO SENSIBILITIES
123
ACE MOVIES 1929 TO 1964
125
PETER WATKINS AND THE CHALLENGE OF AMATEURISM TO THE PROFESSIONAL
183
KEN RUSSELLS EARLY AMATEUR FILMS
201
AUTHORSHIP GENRE AND CINEAMATEURISM IN YUGOSLAVIA
221
PART IV GENRES AND GENERICITY
241
THE GREEN COCKATOO AS BRICOLAGE OF HETEROGENEOUS TRADITIONS
243
AMATEUR DOMESTIC COMEDIES AND THE INTIMATE GEOGRAPHY OF CHILDHOOD
260
AMATEUR SCIFI AND CINE CULTURE IN NORTHERN IRELAND
278
NOTES ON CONTRIBUTORS
298

THE SCREEN ADAPTATIONS OF IuGFILM
144
7 BRAZILIAN AMATEUR CINEMA AND FICTIONAL FILMS FROM FOTOCINE CLUBE GAÚCHO
164
PART III SINGLEMINDED SCENARIOS
181

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About the author (2013)

Dr Ryan Shand is Research Assistant on the AHRC-funded project 'Children and Amateur Media in Scotland' based at the University of Glasgow, Scotland. He completed his PhD, entitled 'Amateur Cinema: History, Theory, and Genre (1930-80)', at the University of Glasgow, and has contributed chapters to the recent anthologies Movies on Home Ground: Explorations in Amateur Cinema (Cambridge Scholars, 2009), and The City and The Moving Image: Urban Projections (Palgrave, 2010); article publications have appeared in The Moving Image: The Journal of the Association of Moving Image Archivists, and The Drouth. Ian Craven is Senior Lecturer in Film and Television Studies at the University of Glasgow, Scotland. His research interests include Australian cinema, film and television technology, and British amateur cinema. Edited publications include Australian Popular Culture (Cambridge University Press, 1994), Australian Cinema in The 1990s (Frank Cass, 2001), and Movies On Home Ground: Explorations in Amateur Cinema (Cambridge Scholars, 2009). Recent articles have appeared in journals including Antipodes, Studies in Australasian Cinema, Continuum and the Journal of Media Practice. He is currently researching and writing a monograph history of British amateur filmmaking, 1920-1980.

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