Emerson's Literary CriticismRalph Waldo Emerson has always fascinated students of criticism and of American literature and thought. Emerson& ’ s Literary Criticism supplies the continuing need for an anthology. This collection brings together Emerson& ’ s literary criticism from a wide variety of sources. Eric W. Carlson has culled both the major statements of Emerson's critical principles and many secondary observations that illuminate them. Here are more than sixty selections on thirty-five critical topics. Headnotes provide valuable background. Carlson relates Emerson& ’ s critical principles to his philosophy, social thought, and literary milieu, and also to biographical details. Intended for the student as well as the researcher, this book amply illustrates Alfred Kazin's contention that Ralph Waldo Emerson was "one of the shrewdest critics who ever lived." |
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Page xxxix
... Goethe laid the foundation for Emerson's theory of art and literature . ” 50 In 1833 Goethe's Travels in Italy served as Emerson's guide to the arts in Italy , leading to rewarding aesthetic discoveries in painting , architecture , and ...
... Goethe laid the foundation for Emerson's theory of art and literature . ” 50 In 1833 Goethe's Travels in Italy served as Emerson's guide to the arts in Italy , leading to rewarding aesthetic discoveries in painting , architecture , and ...
Page xl
... Goethe in " Thoughts on Mod- ern Literature ” ( Part IV ) , Goethe is seen as a representative of the age in his love of fact , truth , and Nature , and in his subjectiveness and " deep realism . " Yet , Emerson concludes , even though ...
... Goethe in " Thoughts on Mod- ern Literature ” ( Part IV ) , Goethe is seen as a representative of the age in his love of fact , truth , and Nature , and in his subjectiveness and " deep realism . " Yet , Emerson concludes , even though ...
Page 116
... Goethe brother . He hid himself , and worked always to astonish , which is egotism , and therefore little . If we try Goethe by the ordinary canons of criticism , we should say that his thinking is of great altitude , and all level ...
... Goethe brother . He hid himself , and worked always to astonish , which is egotism , and therefore little . If we try Goethe by the ordinary canons of criticism , we should say that his thinking is of great altitude , and all level ...
Contents
LIST OF ABBREVIATIONS | ix |
Beauty 1836 | 23 |
Beauty 1860 | 45 |
Copyright | |
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American Literature American Renaissance artist Bacon beauty better Byron Carlyle character Chaucer Coleridge creative culture Dares Phrygius delight divine Edited England English English Traits epic essay experience expression F. O. Matthiessen fact feeling Forceythe Willson genius Goethe Harold Bloom Hawthorne heart heaven Heraclitus Homer human ideal ideas imagination insight inspiration intellect Jakob Böhme journal language lecture Literary Criticism lyric M. H. Abrams Milton mind modern moral nature never novel object organic Orphism painting passage perception person philosopher picture Plato Plutarch poems poet poetic poetry praise prose Ralph Waldo Emerson reader rhetoric rhyme romantic Scott seems sense sentiment Shakspeare soul speak speech spirit style Swedenborg symbol talent taste Tennyson theory things Thoreau thou thought tion tone Traits transcendental translation truth universal verse whilst Whitman wonderful words Wordsworth write