Emerson's Literary CriticismRalph Waldo Emerson has always fascinated students of criticism and of American literature and thought. Emerson& ’ s Literary Criticism supplies the continuing need for an anthology. This collection brings together Emerson& ’ s literary criticism from a wide variety of sources. Eric W. Carlson has culled both the major statements of Emerson's critical principles and many secondary observations that illuminate them. Here are more than sixty selections on thirty-five critical topics. Headnotes provide valuable background. Carlson relates Emerson& ’ s critical principles to his philosophy, social thought, and literary milieu, and also to biographical details. Intended for the student as well as the researcher, this book amply illustrates Alfred Kazin's contention that Ralph Waldo Emerson was "one of the shrewdest critics who ever lived." |
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Page xxxix
In her 1948 analysis , Vivian Hopkins concludes that Goethe ' s was the greatest
single influence on Emerson ' s aesthetic theory : “ Heightening Emerson ' s
aesthetic consciousness , helping Emerson to shape his theory of organic form ...
In her 1948 analysis , Vivian Hopkins concludes that Goethe ' s was the greatest
single influence on Emerson ' s aesthetic theory : “ Heightening Emerson ' s
aesthetic consciousness , helping Emerson to shape his theory of organic form ...
Page xl
But , like most New Englanders of the time , the young Emerson had disliked
Goethe ' s paganism and Continental worldliness — his " velvet life , " " bad
morals , ” and “ love - of - ease . ” However , after returning from his 1834 visit with
Carlyle ...
But , like most New Englanders of the time , the young Emerson had disliked
Goethe ' s paganism and Continental worldliness — his " velvet life , " " bad
morals , ” and “ love - of - ease . ” However , after returning from his 1834 visit with
Carlyle ...
Page 116
This subtle element of egotism in Goethe certainly does not seem to deform his
compositions , but to lower the moral influence of the man . He differs from all the
great in the total want of frankness . Who saw Milton , who saw Shakspeare , saw
...
This subtle element of egotism in Goethe certainly does not seem to deform his
compositions , but to lower the moral influence of the man . He differs from all the
great in the total want of frankness . Who saw Milton , who saw Shakspeare , saw
...
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Emerson's literary criticism
User Review - Not Available - Book VerdictEditor Carlson gathered this selection of Emerson's literary criticism in 1979. The great poet here ruminates on "Art as Experience," "The Creative Process," "Writers and Books," and more. Read full review
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Common terms and phrases
American appear beauty become better called character Chaucer Coleridge common criticism culture delight Edited effect Emerson England English essay experience expression fact feeling flow genius give Goethe hand heart human ideal ideas imagination influence insight inspiration intellect interest John journal language learned leaves lecture less light lines literary literature living look manners material meaning Milton mind moral nature never novel object organic original painting passage perception person philosopher picture poems poet poetic poetry praise present Press published reader reason relation represents rhetoric seems sense Shakspeare society soul speak speech spirit stand style symbol theory things thought translation true truth universal verse whole wonderful Wordsworth write written