Emerson's Literary CriticismRalph Waldo Emerson has always fascinated students of criticism and of American literature and thought. Emerson& ’ s Literary Criticism supplies the continuing need for an anthology. This collection brings together Emerson& ’ s literary criticism from a wide variety of sources. Eric W. Carlson has culled both the major statements of Emerson's critical principles and many secondary observations that illuminate them. Here are more than sixty selections on thirty-five critical topics. Headnotes provide valuable background. Carlson relates Emerson& ’ s critical principles to his philosophy, social thought, and literary milieu, and also to biographical details. Intended for the student as well as the researcher, this book amply illustrates Alfred Kazin's contention that Ralph Waldo Emerson was "one of the shrewdest critics who ever lived." |
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Page xxii
... Imagination . ” The process begins with sense perception , " joyful perception " ( also described as " recipiency " ) , followed by " pious reception " or " obe- dience " on the part of the “ intellect receptive . " As the artist must ...
... Imagination . ” The process begins with sense perception , " joyful perception " ( also described as " recipiency " ) , followed by " pious reception " or " obe- dience " on the part of the “ intellect receptive . " As the artist must ...
Page 40
... imaginative men . But the quality of the imagination is to flow , and not to freeze . The poet did not stop at the color or the form , but read their meaning ; neither may he rest in this meaning , but he makes the same objects ...
... imaginative men . But the quality of the imagination is to flow , and not to freeze . The poet did not stop at the color or the form , but read their meaning ; neither may he rest in this meaning , but he makes the same objects ...
Page 121
... imagination , affronted Nature gets such indemnity as she may . The novel is that allowance and frolic the imagination finds . Everything else pins it down , and men TOWARD A MODERN CRITICAL PERSPECTIVE 121 The Novel of Character vs ...
... imagination , affronted Nature gets such indemnity as she may . The novel is that allowance and frolic the imagination finds . Everything else pins it down , and men TOWARD A MODERN CRITICAL PERSPECTIVE 121 The Novel of Character vs ...
Contents
LIST OF ABBREVIATIONS | ix |
Beauty 1836 | 23 |
Beauty 1860 | 45 |
Copyright | |
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American Literature American Renaissance artist Bacon beauty better Byron Carlyle character Chaucer Coleridge creative culture Dares Phrygius delight divine Edited England English English Traits epic essay experience expression F. O. Matthiessen fact feeling Forceythe Willson genius Goethe Harold Bloom Hawthorne heart heaven Heraclitus Homer human ideal ideas imagination insight inspiration intellect Jakob Böhme journal language lecture Literary Criticism lyric M. H. Abrams Milton mind modern moral nature never novel object organic Orphism painting passage perception person philosopher picture Plato Plutarch poems poet poetic poetry praise prose Ralph Waldo Emerson reader rhetoric rhyme romantic Scott seems sense sentiment Shakspeare soul speak speech spirit style Swedenborg symbol talent taste Tennyson theory things Thoreau thou thought tion tone Traits transcendental translation truth universal verse whilst Whitman wonderful words Wordsworth write