Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 11
CVA The second group we ' ll call the “ Angry Knockers . ” These often know
nothing about it at all but somehow feel left out of something . Then there ' s the
very large third group - the “ Giddy Misconceivers . ” They possibly attended one
class ...
CVA The second group we ' ll call the “ Angry Knockers . ” These often know
nothing about it at all but somehow feel left out of something . Then there ' s the
very large third group - the “ Giddy Misconceivers . ” They possibly attended one
class ...
Page 160
I said that the various opposing groups consisted first of the “ true believers ” -
people who felt they had a monopolistic grasp on ... A third group , the “ giddy
misconceivers , ” were people who had heard a little bit about the Method
somewhere ...
I said that the various opposing groups consisted first of the “ true believers ” -
people who felt they had a monopolistic grasp on ... A third group , the “ giddy
misconceivers , ” were people who had heard a little bit about the Method
somewhere ...
Page 161
Then the last group were people who had a normal interest in all theatre
techniques , of which Stanislavski ' s System was one . They were curious about it
. They were interested in it because it is part of their profession . Or if they did
know ...
Then the last group were people who had a normal interest in all theatre
techniques , of which Stanislavski ' s System was one . They were curious about it
. They were interested in it because it is part of their profession . Or if they did
know ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole