Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 15
... Group Theatre . That theatre went on for ten years and its actors studied with Strasberg and Harold Clurman . Those actors developed into teachers who then formed a studio and taught other actors . In that studio Sanford Meisner , Elia ...
... Group Theatre . That theatre went on for ten years and its actors studied with Strasberg and Harold Clurman . Those actors developed into teachers who then formed a studio and taught other actors . In that studio Sanford Meisner , Elia ...
Page 23
... Group Theatre at the time . Two members of that theatre , Stella Adler and Harold Clurman , went to Paris , where Stanislavski was recuperating from an illness , and spent several weeks with him that year . While there Miss Adler copied ...
... Group Theatre at the time . Two members of that theatre , Stella Adler and Harold Clurman , went to Paris , where Stanislavski was recuperating from an illness , and spent several weeks with him that year . While there Miss Adler copied ...
Page 59
... Group Theatre , where this technique was studied in the ' 30's , there were always experiments in style going on along with the " psychological " work . I know I had a class in 1933 in the basement of the Broadhurst Theatre , where we ...
... Group Theatre , where this technique was studied in the ' 30's , there were always experiments in style going on along with the " psychological " work . I know I had a class in 1933 in the basement of the Broadhurst Theatre , where we ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words