Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page v
... LECTURE : Background 3 SECOND LECTURE : The Method Itself 23 THIRD LECTURE : Some Attitudes toward the Method 51 FOURTH LECTURE : Method Fetishes 67 FIFTH LECTURE : “ Truth ” in Acting 87 105 SIXTH LECTURE : Actors or Artists ? SEVENTH ...
... LECTURE : Background 3 SECOND LECTURE : The Method Itself 23 THIRD LECTURE : Some Attitudes toward the Method 51 FOURTH LECTURE : Method Fetishes 67 FIFTH LECTURE : “ Truth ” in Acting 87 105 SIXTH LECTURE : Actors or Artists ? SEVENTH ...
Page xi
... talk which clears the air of the hothouse fumes that have gathered around the sensible structure of the Method - useful and needed talk . New York City , July 15 , 1958 FIRST LECTURE APRIL 15 , 1957 BACKGROUND FIRST LECTURE : xi.
... talk which clears the air of the hothouse fumes that have gathered around the sensible structure of the Method - useful and needed talk . New York City , July 15 , 1958 FIRST LECTURE APRIL 15 , 1957 BACKGROUND FIRST LECTURE : xi.
Page 3
... his props onto the table and faces his theatre colleagues . I really ought to stop while I'm ahead . Well , here we go . Or perhaps I should say - here we go again . Because I've been hearing so darned much talk 3 FIRST LECTURE: Background.
... his props onto the table and faces his theatre colleagues . I really ought to stop while I'm ahead . Well , here we go . Or perhaps I should say - here we go again . Because I've been hearing so darned much talk 3 FIRST LECTURE: Background.
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words