Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page vii
With an Introd. by Harold Clurman Robert Lewis. ILLUSTRATIONS Mr. Lewis lecturing on Method - or Mad- ness ? Playhouse Theatre , New York . Chart of " The Stanislavski System " -1934 . frontispiece ( FACING PAGE ) 34 Mr. Lewis directing ...
With an Introd. by Harold Clurman Robert Lewis. ILLUSTRATIONS Mr. Lewis lecturing on Method - or Mad- ness ? Playhouse Theatre , New York . Chart of " The Stanislavski System " -1934 . frontispiece ( FACING PAGE ) 34 Mr. Lewis directing ...
Page xi
With an Introd. by Harold Clurman Robert Lewis. Theatre which in America first applied the Method in pro- duction on a broad scale - Lewis has directed , among other plays , Saroyan's My Heart's in the Highlands , a poetic play ...
With an Introd. by Harold Clurman Robert Lewis. Theatre which in America first applied the Method in pro- duction on a broad scale - Lewis has directed , among other plays , Saroyan's My Heart's in the Highlands , a poetic play ...
Page 24
... Lewis . And what's worse , then go and open a school ! That sort of thing has been done , you know . Now you can describe dance movement , for example , on a lecture platform - you cannot teach it very well from there . To teach it you ...
... Lewis . And what's worse , then go and open a school ! That sort of thing has been done , you know . Now you can describe dance movement , for example , on a lecture platform - you cannot teach it very well from there . To teach it you ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words