Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 24
It is dangerous , in one short evening , even to try to summarize the work that a great theatrical master spent a lifetime on . It is , however , the only way that I can try to define correctly for you his terms that one continuously ...
It is dangerous , in one short evening , even to try to summarize the work that a great theatrical master spent a lifetime on . It is , however , the only way that I can try to define correctly for you his terms that one continuously ...
Page 160
... groups consisted first of the “ true believers ” -people who felt they had a monopolistic grasp on the deepest , truest meanings of the Master and that all other actors , all outsiders from the inner temple , were infidels .
... groups consisted first of the “ true believers ” -people who felt they had a monopolistic grasp on the deepest , truest meanings of the Master and that all other actors , all outsiders from the inner temple , were infidels .
Page 162
I said that it is a pity that followers of masters are often inclined to be more dogmatic than the masters themselves . While Stanislavski was very reluctant to put down his findings in any permanent form , hesitating for a long time ...
I said that it is a pity that followers of masters are often inclined to be more dogmatic than the masters themselves . While Stanislavski was very reluctant to put down his findings in any permanent form , hesitating for a long time ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |