Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 4
The reader may have noticed that I called the Method a formalization of the
technique of acting . I did not say “ realistic " acting . The distinction is important
because the Method was introduced to Stanislavski ' s ( Moscow Art ) theatre
around ...
The reader may have noticed that I called the Method a formalization of the
technique of acting . I did not say “ realistic " acting . The distinction is important
because the Method was introduced to Stanislavski ' s ( Moscow Art ) theatre
around ...
Page 10
Because I ' ve been hearing so darned much talk on the pros and cons of the “
Method ” I thought I ' d give eight more lectures on it ! Not that I simply want to add
more talking : it ' s just that so much of the talk has been so confusing that it was ...
Because I ' ve been hearing so darned much talk on the pros and cons of the “
Method ” I thought I ' d give eight more lectures on it ! Not that I simply want to add
more talking : it ' s just that so much of the talk has been so confusing that it was ...
Page 11
Because I ' ve been hearing so darned much talk on the pros and cons of the “
Method ” I thought I ' d give eight more lectures on it ! Not that I simply want to add
more talking : it ' s just that so much of the talk has been so confusing that it was ...
Because I ' ve been hearing so darned much talk on the pros and cons of the “
Method ” I thought I ' d give eight more lectures on it ! Not that I simply want to add
more talking : it ' s just that so much of the talk has been so confusing that it was ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole