Method--or madness?: With an introd. by Harold Clurman |
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you have a marvellous actor, an artist, perhaps even a genius. r The reader may
have noticed that I called the Method a formalization of the technique of acting. I
did not say "realistic" acting. The distinction is important because the Method was
...
you have a marvellous actor, an artist, perhaps even a genius. r The reader may
have noticed that I called the Method a formalization of the technique of acting. I
did not say "realistic" acting. The distinction is important because the Method was
...
Page 4
again. Because I've been hearing so darned much talk on the pros and cons of
the "Method" I thought I'd give eight more lectures on it! Not that I simply want to
add more talking: it's just that so much of the talk has been so confusing that it
was ...
again. Because I've been hearing so darned much talk on the pros and cons of
the "Method" I thought I'd give eight more lectures on it! Not that I simply want to
add more talking: it's just that so much of the talk has been so confusing that it
was ...
Page 14
Now about the tradition of the Method itself. We ought to know something about
that. Because just as technique should be an unconscious guide in any specific
work that we do, tradition should be the unconscious guide in our general
creative ...
Now about the tradition of the Method itself. We ought to know something about
that. Because just as technique should be an unconscious guide in any specific
work that we do, tradition should be the unconscious guide in our general
creative ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |