Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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... Method was strikingly demonstrated . My point is that though there is an historical or chronological correspondence between the realistic school of dramaturgy and the Method , the Method relates to every kind of acting - good acting ...
... Method was strikingly demonstrated . My point is that though there is an historical or chronological correspondence between the realistic school of dramaturgy and the Method , the Method relates to every kind of acting - good acting ...
Page 4
... Method " I thought I'd give eight more lectures on it ! Not that I simply want to add more talking : it's just that ... Method is the only answer to truthful acting . ” Yet I know of great actors who are completely unaware of it : and I ...
... Method " I thought I'd give eight more lectures on it ! Not that I simply want to add more talking : it's just that ... Method is the only answer to truthful acting . ” Yet I know of great actors who are completely unaware of it : and I ...
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... Method itself . We ought to know something about that . Because just as technique should be an unconscious guide in ... method of singing . This is a modern binding I had put on it for protection because the book is over a hundred years ...
... Method itself . We ought to know something about that . Because just as technique should be an unconscious guide in ... method of singing . This is a modern binding I had put on it for protection because the book is over a hundred years ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words