Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 23
The material of this chart was discussed in detail in his books , An Actor Prepares
, and Building a Character , when they were published later , the first in 1936 ,
and the second in 1949 . I don ' t believe the fascinating chart itself was ever ...
The material of this chart was discussed in detail in his books , An Actor Prepares
, and Building a Character , when they were published later , the first in 1936 ,
and the second in 1949 . I don ' t believe the fascinating chart itself was ever ...
Page 26
You ' ll find , in An Actor Prepares , for example , that “ Action ” is called “
Objective , ” etc . ) Eleven is “ Action itself ; " Twelve " Magic If ; ” Thirteen — “
Given circumstances ; ” Fourteen“ Beats ; " Fifteen — “ Problems ( the choice of
little actions ...
You ' ll find , in An Actor Prepares , for example , that “ Action ” is called “
Objective , ” etc . ) Eleven is “ Action itself ; " Twelve " Magic If ; ” Thirteen — “
Given circumstances ; ” Fourteen“ Beats ; " Fifteen — “ Problems ( the choice of
little actions ...
Page 140
How much time you have to prepare a part is not so important as the order in
which you prepare it . You should not do things you are not yet ready for , such as
the forcing of emotion in the early stages which does such violence to your
insides ...
How much time you have to prepare a part is not so important as the order in
which you prepare it . You should not do things you are not yet ready for , such as
the forcing of emotion in the early stages which does such violence to your
insides ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole