Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 36
He means to be able, by your choice, and with your will, to focus your attention
wherever you wish; it is that which helps determine the importance of what is
happening in a scene. For example, I (in the character of a lecturer) am here
putting ...
He means to be able, by your choice, and with your will, to focus your attention
wherever you wish; it is that which helps determine the importance of what is
happening in a scene. For example, I (in the character of a lecturer) am here
putting ...
Page 42
Certain characters , for example , speak faster than others and if you have to play
one of those , you should be able to do it and not have to make him speak the
way you do if you happen to be a slow speaker ordinarily , etc . Oh , are we going
...
Certain characters , for example , speak faster than others and if you have to play
one of those , you should be able to do it and not have to make him speak the
way you do if you happen to be a slow speaker ordinarily , etc . Oh , are we going
...
Page 158
I think she might be able to manage this task . Nevertheless , I should very much
like this to go off almost without movement . After all , there is no action here , only
conversation . S : And what is Laertes to do when he has to exit ? C : I think the ...
I think she might be able to manage this task . Nevertheless , I should very much
like this to go off almost without movement . After all , there is no action here , only
conversation . S : And what is Laertes to do when he has to exit ? C : I think the ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole