Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 25
In teaching you deal with the actual materials , not ideas alone . I do not want to
add one bit to the pile of hash that is built up by the inept teaching that goes on in
all the performing arts . Ahhh — now here is the chart ; this is my original copy .
In teaching you deal with the actual materials , not ideas alone . I do not want to
add one bit to the pile of hash that is built up by the inept teaching that goes on in
all the performing arts . Ahhh — now here is the chart ; this is my original copy .
Page 44
Of course actual dancing can have practical use at times , say , if you are playing
Molière and you are called upon to execute a real dance step . But even failing
anything as specific as that ( you don ' t have to become an accomplished ballet ...
Of course actual dancing can have practical use at times , say , if you are playing
Molière and you are called upon to execute a real dance step . But even failing
anything as specific as that ( you don ' t have to become an accomplished ballet ...
Page 148
... not dread that set rolling in , and that costume that ' s going to make you
uncomfortable , and that prop that will prevent you from flinging your hands
around . You should , with your imagination ( the labor costs prevent you having
the actual ...
... not dread that set rolling in , and that costume that ' s going to make you
uncomfortable , and that prop that will prevent you from flinging your hands
around . You should , with your imagination ( the labor costs prevent you having
the actual ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |