Method--or madness?: With an introd. by Harold Clurman |
From inside the book
Results 1-3 of 12
Page 25
In teaching you deal with the actual materials, not ideas alone. I do not want to
add one bit to the pile of hash that is built up by the inept teaching that goes on in
all the performing arts. Ahhh — now here is the chart; this is my original copy.
In teaching you deal with the actual materials, not ideas alone. I do not want to
add one bit to the pile of hash that is built up by the inept teaching that goes on in
all the performing arts. Ahhh — now here is the chart; this is my original copy.
Page 44
from one place to another on the stage with a sense of design, as well as your
actual knowledge of body expressiveness. Number Thirty-five is "Dancing." Of
course actual dancing can have practical use at times, say, if you are playing
Moliere ...
from one place to another on the stage with a sense of design, as well as your
actual knowledge of body expressiveness. Number Thirty-five is "Dancing." Of
course actual dancing can have practical use at times, say, if you are playing
Moliere ...
Page 111
I would now like to demonstrate how the sense of form manifests itself in an
actual production from the point of view of the director and the actors. I went
through my directing scripts and picked out The Teahouse of the August Moon
because I ...
I would now like to demonstrate how the sense of form manifests itself in an
actual production from the point of view of the director and the actors. I went
through my directing scripts and picked out The Teahouse of the August Moon
because I ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |