Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 54
answer to that is , yes , of course it would . If you are an artist , it invariably takes you a whole lifetime to perfect whatever it is you're trying to do , and you always die too young . Stanislavski was always searching , always ...
answer to that is , yes , of course it would . If you are an artist , it invariably takes you a whole lifetime to perfect whatever it is you're trying to do , and you always die too young . Stanislavski was always searching , always ...
Page 74
This answers the question so many actors ask , “ What about spontaneity ? ... from Conversations with Casals ( the great Catalan musician ) —Question : “ Do you think discipline and spontaneity can work together ? " Answer ...
This answers the question so many actors ask , “ What about spontaneity ? ... from Conversations with Casals ( the great Catalan musician ) —Question : “ Do you think discipline and spontaneity can work together ? " Answer ...
Page 117
[ Answer ] : Well , I can answer the question very quickly . ... But there is a question within this question which ought to be answered because I think there is a certain misconception up next about casting .
[ Answer ] : Well , I can answer the question very quickly . ... But there is a question within this question which ought to be answered because I think there is a certain misconception up next about casting .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole