Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 54
answer to that is , yes , of course it would . If you are an artist , it invariably takes
you a whole lifetime to perfect whatever it is you ' re trying to do , and you always
die too young . Stanislavski was always searching , always changing , and he ...
answer to that is , yes , of course it would . If you are an artist , it invariably takes
you a whole lifetime to perfect whatever it is you ' re trying to do , and you always
die too young . Stanislavski was always searching , always changing , and he ...
Page 78
You ' re not going to take the trouble to meet with someone and rehearse for
hours on a scene where you come in and say , “ Give me a cigarette , Joe ” and
your partner answers , “ Just a minute , I ' ll go and get one . ” What you will
probably ...
You ' re not going to take the trouble to meet with someone and rehearse for
hours on a scene where you come in and say , “ Give me a cigarette , Joe ” and
your partner answers , “ Just a minute , I ' ll go and get one . ” What you will
probably ...
Page 117
[ Answer ] : Well , I can answer the question very quickly . I think the theatre uses
... But there is a question within this question which ought to be answered
because I think there is a certain misconception about casting . And a great deal
of ...
[ Answer ] : Well , I can answer the question very quickly . I think the theatre uses
... But there is a question within this question which ought to be answered
because I think there is a certain misconception about casting . And a great deal
of ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole