Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 61
If the music calls for three quarter - notes a true artist will produce three tones of
exactly that length . If the composer has put a whole note , the true singer will
hold it to the end of the bar . If the music calls for triplets or syncopations , he will
sing ...
If the music calls for three quarter - notes a true artist will produce three tones of
exactly that length . If the composer has put a whole note , the true singer will
hold it to the end of the bar . If the music calls for triplets or syncopations , he will
sing ...
Page 101
It is unlike the artist who studies his material and chooses his elements correctly
to create with . And I want to tell you the artist ' s way of working is very often
agonizing and not at all comfortable . The whole , all - too - prevalent idea of the ...
It is unlike the artist who studies his material and chooses his elements correctly
to create with . And I want to tell you the artist ' s way of working is very often
agonizing and not at all comfortable . The whole , all - too - prevalent idea of the ...
Page 102
Because imagination is the reality of the artist ! Imagination is the material that
artists work with . Truth must not be made into a static , stultifying thing . In art ,
truth should be the search for truth . SIXTH LECTURE MAY 20 , 1957 ACTORS
OR ...
Because imagination is the reality of the artist ! Imagination is the material that
artists work with . Truth must not be made into a static , stultifying thing . In art ,
truth should be the search for truth . SIXTH LECTURE MAY 20 , 1957 ACTORS
OR ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |