Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 8
Dogma may be all right in some quarters , but it doesn't agree very well with artists . ... I hope you will do that too , because I feel that an artist's study goes into his being and then comes out some way , unconsciously , in his ...
Dogma may be all right in some quarters , but it doesn't agree very well with artists . ... I hope you will do that too , because I feel that an artist's study goes into his being and then comes out some way , unconsciously , in his ...
Page 101
It is unlike the artist who studies his material and chooses his elements correctly to create with . And I want to tell you the artist's way of working is very often agonizing and not at all comfortable .
It is unlike the artist who studies his material and chooses his elements correctly to create with . And I want to tell you the artist's way of working is very often agonizing and not at all comfortable .
Page 105
SIXTH LECTURE : Actors or Artists ? Do too many students of the Stanislavski Method use it for the development of certain aspects of acting rather than for understanding and growth of artistry ? Actor or artist ?
SIXTH LECTURE : Actors or Artists ? Do too many students of the Stanislavski Method use it for the development of certain aspects of acting rather than for understanding and growth of artistry ? Actor or artist ?
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |