Method--or madness?: With an introd. by Harold Clurman |
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Page 61
"In the first instance there is calm, in the second nervousness, agitation. "Talented
singers know all about this. They stand in fear of sinning against rhythm. If the
music calls for three quarter-notes a true artist will produce three tones of exactly
...
"In the first instance there is calm, in the second nervousness, agitation. "Talented
singers know all about this. They stand in fear of sinning against rhythm. If the
music calls for three quarter-notes a true artist will produce three tones of exactly
...
Page 101
It is unlike the artist who studies his material and chooses his elements correctly
to create with. And I want to tell you the artist's way of working is very often
agonizing and not at all comfortable. The whole, all-too-prevalent idea of the
limiting of ...
It is unlike the artist who studies his material and chooses his elements correctly
to create with. And I want to tell you the artist's way of working is very often
agonizing and not at all comfortable. The whole, all-too-prevalent idea of the
limiting of ...
Page 105
sixth lecture: Actors or Artists? Do too many students of the Stanislavski Method
use it for the development of certain aspects of acting rather than for
understanding and growth of artistry? Actor or artist? I looked both up in the
dictionary and ...
sixth lecture: Actors or Artists? Do too many students of the Stanislavski Method
use it for the development of certain aspects of acting rather than for
understanding and growth of artistry? Actor or artist? I looked both up in the
dictionary and ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |