Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 84
His "beautiful" command of speech is "disconnected." That is the opposite side of
the coin of those who can't speak well because they are so moved! What is the
answer? What really is a beautiful voice? Is it a pretty sound with good diction
and ...
His "beautiful" command of speech is "disconnected." That is the opposite side of
the coin of those who can't speak well because they are so moved! What is the
answer? What really is a beautiful voice? Is it a pretty sound with good diction
and ...
Page 84
His " beautiful ” command of speech is “ disconnected . ” That is the opposite side
of the coin of those who can ' t speak well because they are so moved ! What is
the answer ? What really is a beautiful voice ? Is it a pretty sound with good ...
His " beautiful ” command of speech is “ disconnected . ” That is the opposite side
of the coin of those who can ' t speak well because they are so moved ! What is
the answer ? What really is a beautiful voice ? Is it a pretty sound with good ...
Page 159
... a meansC : But here the words themselves are beautiful . The idea lies in the
very words . S : Don ' t forget , in the first place , that the words are in translation ,
and are , therefore , no longer as beautiful as in the original ; and this is most ...
... a meansC : But here the words themselves are beautiful . The idea lies in the
very words . S : Don ' t forget , in the first place , that the words are in translation ,
and are , therefore , no longer as beautiful as in the original ; and this is most ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole