Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 84
His “ beautiful command of speech is “ disconnected . ” That is the opposite side of the coin of those who can't speak well because they are so moved ! What is the answer ? What really is a beautiful voice ?
His “ beautiful command of speech is “ disconnected . ” That is the opposite side of the coin of those who can't speak well because they are so moved ! What is the answer ? What really is a beautiful voice ?
Page 84
His " beautiful ” command of speech is “ disconnected . ” That is the opposite side of the coin of those who can ' t speak well because they are so moved ! What is the answer ? What really is a beautiful voice ?
His " beautiful ” command of speech is “ disconnected . ” That is the opposite side of the coin of those who can ' t speak well because they are so moved ! What is the answer ? What really is a beautiful voice ?
Page 119
There are certain faces that are beautiful in life which don't mean a darned thing on the stage . There are other faces which have a certain luminousness on the stage which , upon close examination , may not contain the features of the ...
There are certain faces that are beautiful in life which don't mean a darned thing on the stage . There are other faces which have a certain luminousness on the stage which , upon close examination , may not contain the features of the ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole