Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 82
You can go further ; you can become even more specific in your usage of this
kind of character element . Do you remember Charles Laughton in the end of
Henry VIII when he becomes senile ? There was a scene where he Mr . Lewis
directing ...
You can go further ; you can become even more specific in your usage of this
kind of character element . Do you remember Charles Laughton in the end of
Henry VIII when he becomes senile ? There was a scene where he Mr . Lewis
directing ...
Page 84
... and the complete demands of the play, and not become a fetish used for its
own sake. If that were so we would have the actor stretching himself up to the
level of art and not pulling all art down to the comfortable level of his "real- life"
truth.
... and the complete demands of the play, and not become a fetish used for its
own sake. If that were so we would have the actor stretching himself up to the
level of art and not pulling all art down to the comfortable level of his "real- life"
truth.
Page 106
They become specialists in feeling their own part truthfully to the exclusion of all
of the other elements that make up good theatre. Actors, of course, are not the
only specialists in the theatre. If you have ever been to a road tryout of a musical
...
They become specialists in feeling their own part truthfully to the exclusion of all
of the other elements that make up good theatre. Actors, of course, are not the
only specialists in the theatre. If you have ever been to a road tryout of a musical
...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |