Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 33
“ Beats ” —Number Fourteen — what that means , quite simply , is the distance from the beginning to the end of an intention . Your wish “ to let him know you always suspected him ” ( your intention ) might start with the line , “ I knew ...
“ Beats ” —Number Fourteen — what that means , quite simply , is the distance from the beginning to the end of an intention . Your wish “ to let him know you always suspected him ” ( your intention ) might start with the line , “ I knew ...
Page 110
The general tempo - mark at the beginning of a musical piece ( allegro , grave , etc. ) is comparable to the “ long - distance mood ” of Stanislavski's , the pervading mood that goes through a whole play . Certainly , in the “ Eroica ...
The general tempo - mark at the beginning of a musical piece ( allegro , grave , etc. ) is comparable to the “ long - distance mood ” of Stanislavski's , the pervading mood that goes through a whole play . Certainly , in the “ Eroica ...
Page 114
... the beginning of the play for you . It is a monologue , the first monologue of Sakini . I said to the actor , “ The first thing you have to do at the curtain is to introduce Sakini ' s two characters so that the audience understands ...
... the beginning of the play for you . It is a monologue , the first monologue of Sakini . I said to the actor , “ The first thing you have to do at the curtain is to introduce Sakini ' s two characters so that the audience understands ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |