Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 11
Not that I simply want to add more talking : it ' s just that so much of the talk has
been so confusing that it was beginning to confuse me . Maybe , together , we
can clear up a few points here . For example , I ' ve been hearing , “ The Method
is ...
Not that I simply want to add more talking : it ' s just that so much of the talk has
been so confusing that it was beginning to confuse me . Maybe , together , we
can clear up a few points here . For example , I ' ve been hearing , “ The Method
is ...
Page 33
Beats ” — Number Fourteen — what that means , quite simply , is the distance
from the beginning to the end of an intention . Your wish “ to let him know you
always suspected him ” ( your intention ) might start with the line , " I knew you did
it ...
Beats ” — Number Fourteen — what that means , quite simply , is the distance
from the beginning to the end of an intention . Your wish “ to let him know you
always suspected him ” ( your intention ) might start with the line , " I knew you did
it ...
Page 140
You should not do things you are not yet ready for , such as the forcing of emotion
in the early stages which does such violence to your insides ; or the leaping ( in
the beginning ) at elements of characterization which often leads you to the ...
You should not do things you are not yet ready for , such as the forcing of emotion
in the early stages which does such violence to your insides ; or the leaping ( in
the beginning ) at elements of characterization which often leads you to the ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole