Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 37
You might say that should also go without saying : of course you believe in what
you do on the stage . But he doesn ' t mean being “ sincere ” in a general way .
He means specifically the whole problem of generating the feeling of faith that ...
You might say that should also go without saying : of course you believe in what
you do on the stage . But he doesn ' t mean being “ sincere ” in a general way .
He means specifically the whole problem of generating the feeling of faith that ...
Page 52
Believe me, I felt it was no good without that. (It reminds me of Boris Aronson, the
designer, who once said at my house in the country when he saw a beautiful tree
standing near a large rock, "Look at that tree — without that rock it'd be nothing!
Believe me, I felt it was no good without that. (It reminds me of Boris Aronson, the
designer, who once said at my house in the country when he saw a beautiful tree
standing near a large rock, "Look at that tree — without that rock it'd be nothing!
Page 100
It is not advisable to use only outside means to create, because I do believe that
stifles your true feeling instead of releasing it; but you can start your inside motor
up and keep it running to create your means of projecting the whole truth of your
...
It is not advisable to use only outside means to create, because I do believe that
stifles your true feeling instead of releasing it; but you can start your inside motor
up and keep it running to create your means of projecting the whole truth of your
...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole