Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 62
In justice , I want to read the end of that chapter , in which he also says , “ A clear - cut rhythm of speech facilitates rhythmic sensibility and the opposite is also true : the rhythm of sensations experienced helps to produce clear ...
In justice , I want to read the end of that chapter , in which he also says , “ A clear - cut rhythm of speech facilitates rhythmic sensibility and the opposite is also true : the rhythm of sensations experienced helps to produce clear ...
Page 143
Some may leap out of the you and be perfectly clear , others may elude you , and some may even appear as the opposite of what they are eventually going to be . But at any rate , whether or not it is clear what the correct intention is ...
Some may leap out of the you and be perfectly clear , others may elude you , and some may even appear as the opposite of what they are eventually going to be . But at any rate , whether or not it is clear what the correct intention is ...
Page 151
Certain things you were doing which you thought were perfectly clear are not clear to the public . In other things you find the audience is way ahead of you , etc. — and you fix and fix until the New York première .
Certain things you were doing which you thought were perfectly clear are not clear to the public . In other things you find the audience is way ahead of you , etc. — and you fix and fix until the New York première .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole