Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
From inside the book
Results 1-3 of 10
Page 44
... dancer ) , I think any knowledge of dancing that you can have will help you in the creation of characters which re- quire some sense of movement other than slouching around . We may even start to get some plays written in which we can ...
... dancer ) , I think any knowledge of dancing that you can have will help you in the creation of characters which re- quire some sense of movement other than slouching around . We may even start to get some plays written in which we can ...
Page 53
... dancer - he's always pos- ing . " In my excitement I didn't even realize I was invent- ing ; that the character wasn't a dancer at all , he was a painter ! The point is that the actor was so happy to have any reason to do it that he ...
... dancer - he's always pos- ing . " In my excitement I didn't even realize I was invent- ing ; that the character wasn't a dancer at all , he was a painter ! The point is that the actor was so happy to have any reason to do it that he ...
Page 108
... dancer , Argentina . Though a very fine Spanish dancer , she was really important beyond that insofar as she brought to everything she danced this wonderful equalizing sense . When she danced her num- ber about the Queen in the Spanish ...
... dancer , Argentina . Though a very fine Spanish dancer , she was really important beyond that insofar as she brought to everything she danced this wonderful equalizing sense . When she danced her num- ber about the Queen in the Spanish ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
4 other sections not shown
Other editions - View all
Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words