Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 117
As a working director I say that categorically . But there is a question within this question which ought to be answered because I think there is a certain misconception up next about casting . And a great deal of trouble arises ( 117.
As a working director I say that categorically . But there is a question within this question which ought to be answered because I think there is a certain misconception up next about casting . And a great deal of trouble arises ( 117.
Page 132
We worked on it as follows : I said to the singing - actress when we first went through the scene , “ What you have to do here is to figure out the best way to deal with him . He's sick but you need action fast because your brothers are ...
We worked on it as follows : I said to the singing - actress when we first went through the scene , “ What you have to do here is to figure out the best way to deal with him . He's sick but you need action fast because your brothers are ...
Page 164
While in the realistic theatre one is concerned a great deal with what one is doing in a scene and why one is doing it , one should not be unmindful of how one expresses this “ what ” and “ why ; " and in the poetic theatre , while all ...
While in the realistic theatre one is concerned a great deal with what one is doing in a scene and why one is doing it , one should not be unmindful of how one expresses this “ what ” and “ why ; " and in the poetic theatre , while all ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole