Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 117
... . As a working director I say that categorically . But there is a question within this question which ought to be an- swered because I think there is a certain misconception about casting . And a great deal of trouble arises 117.
... . As a working director I say that categorically . But there is a question within this question which ought to be an- swered because I think there is a certain misconception about casting . And a great deal of trouble arises 117.
Page 132
... deal with him . He's sick but you need action fast because your brothers are about to conclude a deal and you've got to get Horace in on it since you need him to get your share of the deal . You have to find out just what he thinks of ...
... deal with him . He's sick but you need action fast because your brothers are about to conclude a deal and you've got to get Horace in on it since you need him to get your share of the deal . You have to find out just what he thinks of ...
Page 163
... deal to clear up a lot of confusion . I then came to " truth " and asked whether the people who are always speaking of " living their part " are really living the part or really living themselves and adding the author's words to that ...
... deal to clear up a lot of confusion . I then came to " truth " and asked whether the people who are always speaking of " living their part " are really living the part or really living themselves and adding the author's words to that ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words