Method--or madness?: With an introd. by Harold Clurman |
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Page 110
The same principle is true in a play. Further, the dynamic marks throughout a
musical score correspond to our timing, pauses, etc. We also have scores, as in
music. Of course, everybody knows about the director's score, the regisseur's
book, ...
The same principle is true in a play. Further, the dynamic marks throughout a
musical score correspond to our timing, pauses, etc. We also have scores, as in
music. Of course, everybody knows about the director's score, the regisseur's
book, ...
Page 117
[Question from the audience] : Do you as a director look for Method actors in
casting? [Answer]: Well, I can answer the question very quickly. I think the theatre
uses everything, and if the person is good for the part and can do it that's fine by
me.
[Question from the audience] : Do you as a director look for Method actors in
casting? [Answer]: Well, I can answer the question very quickly. I think the theatre
uses everything, and if the person is good for the part and can do it that's fine by
me.
Page 150
Or let us say that the director suddenly feels it is more exciting for you not to be
looking right at her at that moment. The point is you now know so much about it
that the director can safely say, "Although you have previously been looking at
her ...
Or let us say that the director suddenly feels it is more exciting for you not to be
looking right at her at that moment. The point is you now know so much about it
that the director can safely say, "Although you have previously been looking at
her ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |