Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 110
Further , the dynamic marks throughout a musical score correspond to our timing , pauses , etc. We also have scores , as in music . Of course , everybody knows about the director's score , the regisseur's book , which has all ...
Further , the dynamic marks throughout a musical score correspond to our timing , pauses , etc. We also have scores , as in music . Of course , everybody knows about the director's score , the regisseur's book , which has all ...
Page 117
[ Question from the audience ] : Do you as a director look for Method actors in casting ? [ Answer ] : Well , I can answer the question very quickly . I think the theatre uses everything , and if the person is good for the part and can ...
[ Question from the audience ] : Do you as a director look for Method actors in casting ? [ Answer ] : Well , I can answer the question very quickly . I think the theatre uses everything , and if the person is good for the part and can ...
Page 150
Or let us say that the director suddenly feels it is more exciting for you not to be looking right at her at that moment . The point is you now know so much about it that the director can safely say , “ Although you have previously been ...
Or let us say that the director suddenly feels it is more exciting for you not to be looking right at her at that moment . The point is you now know so much about it that the director can safely say , “ Although you have previously been ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |