Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 26
Six and Seven are divided equally across the page : Six says , “ The process of
feeling ( internally ) ; ” Seven — “ The process of expressing your emotion . ”
Eight , Nine and Ten , equally divided into three parts , are what he called “ The
three ...
Six and Seven are divided equally across the page : Six says , “ The process of
feeling ( internally ) ; ” Seven — “ The process of expressing your emotion . ”
Eight , Nine and Ten , equally divided into three parts , are what he called “ The
three ...
Page 35
Emotional memory ” — Number Seventeen . I wish I could ... When coming up
against a situation in a play requiring a certain emotion , he can evoke the
memory of some similar emotion in his life without his thinking consciously about
it at all .
Emotional memory ” — Number Seventeen . I wish I could ... When coming up
against a situation in a play requiring a certain emotion , he can evoke the
memory of some similar emotion in his life without his thinking consciously about
it at all .
Page 38
Twenty - one : “ To recreate emotion to show different colors . ... I was “ despairing
” at how great an artist can be , instead of following the natural smiling
exuberance that would ordinarily go with those words I was using an emotional
color ...
Twenty - one : “ To recreate emotion to show different colors . ... I was “ despairing
” at how great an artist can be , instead of following the natural smiling
exuberance that would ordinarily go with those words I was using an emotional
color ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole