Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 26
Six and Seven are divided equally across the says , " The feeling ( internally ) ; ” Seven— “ The process of expressing your emotion . ” Eight , Nine and Ten , equally divided into three parts , are what he called “ The three motors of ...
Six and Seven are divided equally across the says , " The feeling ( internally ) ; ” Seven— “ The process of expressing your emotion . ” Eight , Nine and Ten , equally divided into three parts , are what he called “ The three motors of ...
Page 35
“ Emotional memory ” —Number Seventeen . ... When coming up against a situation in a play requiring a certain emotion , he can evoke the memory of some similar emotion in his life without his thinking consciously about it at all .
“ Emotional memory ” —Number Seventeen . ... When coming up against a situation in a play requiring a certain emotion , he can evoke the memory of some similar emotion in his life without his thinking consciously about it at all .
Page 38
Twenty - one : “ To recreate emotion to show different colors . ” That is interesting for variety ... I was using an emotional color entirely opposite to the natural one and , so , gained emphasis . One can do it the other way ' round ...
Twenty - one : “ To recreate emotion to show different colors . ” That is interesting for variety ... I was using an emotional color entirely opposite to the natural one and , so , gained emphasis . One can do it the other way ' round ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole