Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 98
... example , that a taxi is wait- ing for you outside and therefore you have to hurry through the scene . That is a given circumstance when you come on , that is true . But that is only one application of the term . I would hope that he ...
... example , that a taxi is wait- ing for you outside and therefore you have to hurry through the scene . That is a given circumstance when you come on , that is true . But that is only one application of the term . I would hope that he ...
Page 101
... example of Michael Chekhov in The Deluge , who when he felt he had to let his partner know he really loved him in spite of the way he had fought with him , began digging at his partner's heart , trying to get inside and become one with ...
... example of Michael Chekhov in The Deluge , who when he felt he had to let his partner know he really loved him in spite of the way he had fought with him , began digging at his partner's heart , trying to get inside and become one with ...
Page 124
... example , that Gorki's The Lower Depths , although the situations and characters are from a very mean life , is ... example that comes to mind : Carl Sandburg , when he spoke of wedlock in a poem did not say that it is a state of ...
... example , that Gorki's The Lower Depths , although the situations and characters are from a very mean life , is ... example that comes to mind : Carl Sandburg , when he spoke of wedlock in a poem did not say that it is a state of ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words