Method--or madness?: With an introd. by Harold Clurman |
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Page 67
For example, as we ended last week we were talking about people who think a
beautiful voice or good diction cannot be achieved if disturbed by real feeling and
, conversely, those who think real feeling cannot arise if it is disturbed by ...
For example, as we ended last week we were talking about people who think a
beautiful voice or good diction cannot be achieved if disturbed by real feeling and
, conversely, those who think real feeling cannot arise if it is disturbed by ...
Page 80
I have used it, for example, to force a connection, a relationship, between two
people working in a play when I couldn't get them to do it, for one reason or
another, any other way while saying their lines in the play. Whatever the reason
was, ...
I have used it, for example, to force a connection, a relationship, between two
people working in a play when I couldn't get them to do it, for one reason or
another, any other way while saying their lines in the play. Whatever the reason
was, ...
Page 124
I feel, for example, that Gorki's The Lower Depths, although the situations and
characters are from a very mean life, is written in the form of a beautiful mosaic
with a very high poetic aspiration of f eeling, a yearning for a better life. Last week
we ...
I feel, for example, that Gorki's The Lower Depths, although the situations and
characters are from a very mean life, is written in the form of a beautiful mosaic
with a very high poetic aspiration of f eeling, a yearning for a better life. Last week
we ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |