Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 67
For example , as we ended last week we were talking about people who think a beautiful voice or good diction cannot be achieved if disturbed by real feeling and , conversely , those who think real feeling cannot arise if it is disturbed ...
For example , as we ended last week we were talking about people who think a beautiful voice or good diction cannot be achieved if disturbed by real feeling and , conversely , those who think real feeling cannot arise if it is disturbed ...
Page 80
I have used it , for example , to force a connection , a relationship , between two people working in a play when I couldn't get them to do it , for one reason or another , any other way while saying their lines in the play .
I have used it , for example , to force a connection , a relationship , between two people working in a play when I couldn't get them to do it , for one reason or another , any other way while saying their lines in the play .
Page 124
I feel , for example , that Gorki's The Lower Depths , although the situations and characters are from a very mean life , is written in the form of a beautiful mosaic with a very high poetic aspiration of feeling , a yearning for a ...
I feel , for example , that Gorki's The Lower Depths , although the situations and characters are from a very mean life , is written in the form of a beautiful mosaic with a very high poetic aspiration of feeling , a yearning for a ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |