Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 101
We have already had the example of Michael Chekhov in The Deluge , who
when he felt he had to let his partner know he really loved him in spite of the way
he had fought with him , began digging at his partner ' s heart , trying to get inside
...
We have already had the example of Michael Chekhov in The Deluge , who
when he felt he had to let his partner know he really loved him in spite of the way
he had fought with him , began digging at his partner ' s heart , trying to get inside
...
Page 124
I feel, for example, that Gorki's The Lower Depths, although the situations and
characters are from a very mean life, is written in the form of a beautiful mosaic
with a very high poetic aspiration of feeling, a yearning for a better life. Last week
we ...
I feel, for example, that Gorki's The Lower Depths, although the situations and
characters are from a very mean life, is written in the form of a beautiful mosaic
with a very high poetic aspiration of feeling, a yearning for a better life. Last week
we ...
Page 124
I feel , for example , that Gorki ' s The Lower Depths , although the situations and
characters are from a very mean life , is written in the form of a beautiful mosaic
with a very high poetic aspiration of feeling , a yearning for a better life . Last
week ...
I feel , for example , that Gorki ' s The Lower Depths , although the situations and
characters are from a very mean life , is written in the form of a beautiful mosaic
with a very high poetic aspiration of feeling , a yearning for a better life . Last
week ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole