Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 28
But I think what he probably means is that when you are expressing yourself in a
part , somehow all your reactions to life , all the ideas and feelings that you have
stored up , come out in one way or another . Therefore , you should work to ...
But I think what he probably means is that when you are expressing yourself in a
part , somehow all your reactions to life , all the ideas and feelings that you have
stored up , come out in one way or another . Therefore , you should work to ...
Page 29
of “ Expressing your Emotion , ” a subject more likely to be sniffed at by the
Devoted . ... us the ideas and the understanding , the second gives us the power
to execute our wishes , or problems , and the third fills us with the fuel of
expression .
of “ Expressing your Emotion , ” a subject more likely to be sniffed at by the
Devoted . ... us the ideas and the understanding , the second gives us the power
to execute our wishes , or problems , and the third fills us with the fuel of
expression .
Page 163
That the truthful feeling of the actor was one part of it but not the whole truth , and
that half - truths are just as untrue in art as they are in life . What , I asked , of the
manner of expression , of the use of one ' s truth ? Is it the truth of that part , is it ...
That the truthful feeling of the actor was one part of it but not the whole truth , and
that half - truths are just as untrue in art as they are in life . What , I asked , of the
manner of expression , of the use of one ' s truth ? Is it the truth of that part , is it ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole