Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 26
Number Two says , “ Action ; " Three — “ Truth of feeling or passion ( the
resemblance to Truth under the given circumstances ) . ” Four — “ The creation of
life , nature , or true feeling , with the help of conscious technique ( beats ) which
...
Number Two says , “ Action ; " Three — “ Truth of feeling or passion ( the
resemblance to Truth under the given circumstances ) . ” Four — “ The creation of
life , nature , or true feeling , with the help of conscious technique ( beats ) which
...
Page 63
But speech can be beautified , not destroyed , by true feeling ! What ' s more ,
there are many non - Method actors who mumble ; and I can also give you
examples of actors who do nothing inconsistent with Stanislavski ' s aims and
who , no ...
But speech can be beautified , not destroyed , by true feeling ! What ' s more ,
there are many non - Method actors who mumble ; and I can also give you
examples of actors who do nothing inconsistent with Stanislavski ' s aims and
who , no ...
Page 100
It is not advisable to use only outside means to create , because I do believe that
stifles your true feeling instead of releasing it ; but you can start your inside motor
up and keep it running to create your means of projecting the whole truth of your
...
It is not advisable to use only outside means to create , because I do believe that
stifles your true feeling instead of releasing it ; but you can start your inside motor
up and keep it running to create your means of projecting the whole truth of your
...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |