Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 63
But speech can be beautified , not destroyed , by true feeling ! What's more , there are many non - Method actors who mumble ; and I can also give you examples of actors who do nothing inconsistent with Stanislavski's aims and who ...
But speech can be beautified , not destroyed , by true feeling ! What's more , there are many non - Method actors who mumble ; and I can also give you examples of actors who do nothing inconsistent with Stanislavski's aims and who ...
Page 90
In variations it goes , “ I don't feel it that way ” or , “ I don't feel it if he's going to do that . ” When I hear that I want to say ... I think that you must act and feeling will come ; but in the meantime you must act .
In variations it goes , “ I don't feel it that way ” or , “ I don't feel it if he's going to do that . ” When I hear that I want to say ... I think that you must act and feeling will come ; but in the meantime you must act .
Page 100
It is not advisable to use only outside means to create , because I do believe that stifles your true feeling instead of releasing it ; but you can start your inside motor up and keep it running to create your means of projecting the ...
It is not advisable to use only outside means to create , because I do believe that stifles your true feeling instead of releasing it ; but you can start your inside motor up and keep it running to create your means of projecting the ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole