Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 44
... fellow's eye , the lightness and so on , are great aids for the actor . " Sports " is Number Thirty - seven . A healthy body , in working order , ready for any physical command , Stanislav- ski felt , was an essential for the actor ...
... fellow's eye , the lightness and so on , are great aids for the actor . " Sports " is Number Thirty - seven . A healthy body , in working order , ready for any physical command , Stanislav- ski felt , was an essential for the actor ...
Page 77
... fellow say to a crowd , “ Come on ! " and they had to reply three times , " No ! " It had to go like this : " Come on ! " " No ! " " COME ON !! ” “ NO !! ” “ COME ON !!! ” “ NO !!! ” For that scene , I had to have him build it ...
... fellow say to a crowd , “ Come on ! " and they had to reply three times , " No ! " It had to go like this : " Come on ! " " No ! " " COME ON !! ” “ NO !! ” “ COME ON !!! ” “ NO !!! ” For that scene , I had to have him build it ...
Page 115
... fellow but was acting that as- pect of it . In that very first move , before he said a single word , the two characters were introduced . After the formal bows were over , he lapsed back into his informal GI pose , studied the customers ...
... fellow but was acting that as- pect of it . In that very first move , before he said a single word , the two characters were introduced . After the formal bows were over , he lapsed back into his informal GI pose , studied the customers ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words