Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 77
One : they have no sense of rhythm . ( If you want to be corny , you can say “
timing , ” but since I ' m a lecturer now , I ' ll say rhythm . ) Once , in a play , I had to
have a fellow say to a crowd , “ Come on ! ” and they had to reply three times , “
No !
One : they have no sense of rhythm . ( If you want to be corny , you can say “
timing , ” but since I ' m a lecturer now , I ' ll say rhythm . ) Once , in a play , I had to
have a fellow say to a crowd , “ Come on ! ” and they had to reply three times , “
No !
Page 114
I acted in a movie once with Charlie Chaplin , a great director . He just said one
thing to me about the part I played ( a little druggist who prepared a perfect
poison for him in Monsieur Verdoux ) that struck home . He said , “ When this
fellow ...
I acted in a movie once with Charlie Chaplin , a great director . He just said one
thing to me about the part I played ( a little druggist who prepared a perfect
poison for him in Monsieur Verdoux ) that struck home . He said , “ When this
fellow ...
Page 115
that he was not a formal fellow but was acting that aspect of it . In that very first
move , before he said a single word , the two characters were introduced . After
the formal bows were over , he lapsed back into his informal GI pose , studied the
...
that he was not a formal fellow but was acting that aspect of it . In that very first
move , before he said a single word , the two characters were introduced . After
the formal bows were over , he lapsed back into his informal GI pose , studied the
...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |