Method--or madness?: With an introd. by Harold Clurman |
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Page 41
sence, he felt that while it is true that the proper psychological preparation for a
part will make for proper rhythm, he also felt that finding the suitable tempo-
rhythm of a character will lead you to feel correctly in the part, too. It is a double
process.
sence, he felt that while it is true that the proper psychological preparation for a
part will make for proper rhythm, he also felt that finding the suitable tempo-
rhythm of a character will lead you to feel correctly in the part, too. It is a double
process.
Page 160
First of all, I told you the reason for these talks was that a sense of confusion and
bitterness surrounding this subject of the Method had grown to such great
proportions, not only in the press and public but among the actors themselves,
that I felt ...
First of all, I told you the reason for these talks was that a sense of confusion and
bitterness surrounding this subject of the Method had grown to such great
proportions, not only in the press and public but among the actors themselves,
that I felt ...
Page 163
I felt it was wrong to condone the "indicated," unfortunately sometimes effective,
kind of acting people indulge in where they are simply imitating feeling; but it was
also wrong to call that kind of real, but personally-felt and inartistically expressed
...
I felt it was wrong to condone the "indicated," unfortunately sometimes effective,
kind of acting people indulge in where they are simply imitating feeling; but it was
also wrong to call that kind of real, but personally-felt and inartistically expressed
...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |