Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 41
sence , he felt that while it is true that the proper psychological preparation for a part will make for proper rhythm , he also felt that finding the suitable tempo - rhythm of a character will lead you to feel correctly in the part ...
sence , he felt that while it is true that the proper psychological preparation for a part will make for proper rhythm , he also felt that finding the suitable tempo - rhythm of a character will lead you to feel correctly in the part ...
Page 160
I said that the various opposing groups consisted first of the “ true believers ” -people who felt they had a monopolistic grasp on the deepest , truest meanings of the Master and that all other actors , all outsiders from the inner ...
I said that the various opposing groups consisted first of the “ true believers ” -people who felt they had a monopolistic grasp on the deepest , truest meanings of the Master and that all other actors , all outsiders from the inner ...
Page 163
I felt it was wrong to condone the “ indicated , ” unfortunately sometimes effective , kind of acting people indulge in where they are simply imitating feeling ; but it was also wrong to call that kind of real , but personally - felt ...
I felt it was wrong to condone the “ indicated , ” unfortunately sometimes effective , kind of acting people indulge in where they are simply imitating feeling ; but it was also wrong to call that kind of real , but personally - felt ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole