Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 36
trying to remember how you felt, a lot of people make that mistake — it is possible
that a feeling similar to what you felt at that time will recur. If it was a very strong
emotion and you can bring it back successfully three times in a row, it is quite ...
trying to remember how you felt, a lot of people make that mistake — it is possible
that a feeling similar to what you felt at that time will recur. If it was a very strong
emotion and you can bring it back successfully three times in a row, it is quite ...
Page 41
sence , he felt that while it is true that the proper psychological preparation for a
part will make for proper rhythm , he also felt that finding the suitable tempo -
rhythm of a character will lead you to feel correctly in the part , too . It is a double ...
sence , he felt that while it is true that the proper psychological preparation for a
part will make for proper rhythm , he also felt that finding the suitable tempo -
rhythm of a character will lead you to feel correctly in the part , too . It is a double ...
Page 163
I felt it was wrong to condone the " indicated , ” unfortunately sometimes effective ,
kind of acting people indulge in where they are simply imitating feeling ; but it
was also wrong to call that kind of real , but personally - felt and inartistically ...
I felt it was wrong to condone the " indicated , ” unfortunately sometimes effective ,
kind of acting people indulge in where they are simply imitating feeling ; but it
was also wrong to call that kind of real , but personally - felt and inartistically ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole