Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
From inside the book
Results 1-3 of 30
Page 41
With an Introd. by Harold Clurman Robert Lewis. sence , he felt that while it is true that the proper psycho- logical preparation for a part will make for proper rhythm , he also felt that finding the suitable tempo - rhythm of a ...
With an Introd. by Harold Clurman Robert Lewis. sence , he felt that while it is true that the proper psycho- logical preparation for a part will make for proper rhythm , he also felt that finding the suitable tempo - rhythm of a ...
Page 160
... felt a public airing of the problems might lead to a clarifying of some of the confusion , or at least of our atti- tude toward the Method . I said that the various opposing groups consisted first of the " true believers " -people who felt ...
... felt a public airing of the problems might lead to a clarifying of some of the confusion , or at least of our atti- tude toward the Method . I said that the various opposing groups consisted first of the " true believers " -people who felt ...
Page 163
... felt it was wrong to condone the “ indicated , " unfortunately sometimes effective , kind of acting people indulge in where they are simply imitat- ing feeling ; but it was also wrong to call that kind of real , but personally - felt ...
... felt it was wrong to condone the “ indicated , " unfortunately sometimes effective , kind of acting people indulge in where they are simply imitat- ing feeling ; but it was also wrong to call that kind of real , but personally - felt ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
4 other sections not shown
Other editions - View all
Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words