Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 30
Of course it is perfectly possible that you can mean exactly what you say : one
character may say to another , “ I love you , ” and that may be exactly what is
meant and all that is meant : that I , this man , love you , this girl . It is explicit in the
line ...
Of course it is perfectly possible that you can mean exactly what you say : one
character may say to another , “ I love you , ” and that may be exactly what is
meant and all that is meant : that I , this man , love you , this girl . It is explicit in the
line ...
Page 68
... breathes to the girl, "Why didn't you tell me you felt that way about me?" Then,
after a few happy weeks, you arrive in New Haven and get on the stage. The boy
stands away up left, on a mountain, and the girl is away down right, in the valley.
... breathes to the girl, "Why didn't you tell me you felt that way about me?" Then,
after a few happy weeks, you arrive in New Haven and get on the stage. The boy
stands away up left, on a mountain, and the girl is away down right, in the valley.
Page 68
... to the girl , “ Why didn ' t you tell me you felt that way about me ? ” Then , after a
few happy weeks , you arrive in New Haven and get on the stage . The boy
stands away up left , on a mountain , and the girl is away down right , in the valley
.
... to the girl , “ Why didn ' t you tell me you felt that way about me ? ” Then , after a
few happy weeks , you arrive in New Haven and get on the stage . The boy
stands away up left , on a mountain , and the girl is away down right , in the valley
.
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole