Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 68
... girl , " Why didn't you tell me you felt that way about me ? " Then , after a few happy weeks , you arrive in New Haven and get on the stage . The boy stands away up left , on a mountain , and the girl is away down right , in the valley ...
... girl , " Why didn't you tell me you felt that way about me ? " Then , after a few happy weeks , you arrive in New Haven and get on the stage . The boy stands away up left , on a mountain , and the girl is away down right , in the valley ...
Page 118
... girl of fine proportions with blond hair and a cute curl in her upper lip . She is dressed in a fine spring frock which she wears with a jaunty air . ” So you find a girl like that and give her the part because she answers the ...
... girl of fine proportions with blond hair and a cute curl in her upper lip . She is dressed in a fine spring frock which she wears with a jaunty air . ” So you find a girl like that and give her the part because she answers the ...
Page 119
... girl ! " And when she had the scene with the minister who spoke in religious platitudes , you said , " He shouldn't be talking that way to this lovely girl ! " I've seen that play many times since and they have always cast a girl who ...
... girl ! " And when she had the scene with the minister who spoke in religious platitudes , you said , " He shouldn't be talking that way to this lovely girl ! " I've seen that play many times since and they have always cast a girl who ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words