Method--or madness?: With an introd. by Harold Clurman |
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Page 18
So it would go on until finally one day he said, "Look, it's a long run, and I just
have to give one bad performance a week." Well, that was the one he knew of! )
Now I have found that a lot of these "naturals" have the most extensive technique
for ...
So it would go on until finally one day he said, "Look, it's a long run, and I just
have to give one bad performance a week." Well, that was the one he knew of! )
Now I have found that a lot of these "naturals" have the most extensive technique
for ...
Page 94
It is possible to pick up a part and, without extensive preparation, give an
adequate reading. Sometimes, even, a first reading can be startlingly good. But,
at worst, you can simply talk and listen. The director, if he's present, may give you
a ...
It is possible to pick up a part and, without extensive preparation, give an
adequate reading. Sometimes, even, a first reading can be startlingly good. But,
at worst, you can simply talk and listen. The director, if he's present, may give you
a ...
Page 150
And now we come to the run-throughs without sets or costumes. You go through
without stopping and the director gives his notes at the end. I think it's a good
idea, in the first few run-throughs, to give just the important notes, those having to
do ...
And now we come to the run-throughs without sets or costumes. You go through
without stopping and the director gives his notes at the end. I think it's a good
idea, in the first few run-throughs, to give just the important notes, those having to
do ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |