Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 18
So it would go on until finally one day he said , “ Look , it ' s a long run , and I just
have to give one bad performance a week . ” Well , that was the one he knew ofl )
Now I have found that a lot of these " naturals ” have the most extensive ...
So it would go on until finally one day he said , “ Look , it ' s a long run , and I just
have to give one bad performance a week . ” Well , that was the one he knew ofl )
Now I have found that a lot of these " naturals ” have the most extensive ...
Page 94
You can tell a good deal by an interview , but a reading might reveal something
you can ' t be sure of just by meeting the actor . It is possible to pick up a part and
, without extensive preparation , give an adequate reading . Sometimes , even , a
...
You can tell a good deal by an interview , but a reading might reveal something
you can ' t be sure of just by meeting the actor . It is possible to pick up a part and
, without extensive preparation , give an adequate reading . Sometimes , even , a
...
Page 147
You are now ready for the director to give you the positions and the movements .
It ' s a good idea in a realistic play to give the positions a bit generally at first in
order to permit the actors to have a certain amount of freedom in playing ; you put
...
You are now ready for the director to give you the positions and the movements .
It ' s a good idea in a realistic play to give the positions a bit generally at first in
order to permit the actors to have a certain amount of freedom in playing ; you put
...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole