Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 18
... give one bad performance a week . " Well , that was the one he knew of ! ) Now I have found that a lot of these ... give him the stage . " What they usually mean when they say they're going to step down and give the center to him on that ...
... give one bad performance a week . " Well , that was the one he knew of ! ) Now I have found that a lot of these ... give him the stage . " What they usually mean when they say they're going to step down and give the center to him on that ...
Page 94
... give you a few hints to help . Although auditioning is never an ideal situation in our theatre , an intelligent actor can give some inkling of what is needed to be known by not forcing feelings he doesn't have and by not trying to ...
... give you a few hints to help . Although auditioning is never an ideal situation in our theatre , an intelligent actor can give some inkling of what is needed to be known by not forcing feelings he doesn't have and by not trying to ...
Page 150
... gives his notes at the end . I think it's a good idea , in the first few run - throughs , to give just the important notes , those having to do with big things . The fact that the boy walked past the girl accidentally and had to come ...
... gives his notes at the end . I think it's a good idea , in the first few run - throughs , to give just the important notes , those having to do with big things . The fact that the boy walked past the girl accidentally and had to come ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words