Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 24
I've thought it over very carefully, several times resolving to skip this evening
entirely, and I've decided it is the only way to keep what I'm going to say in all
these eight talks from once again becoming general or, worse, mysterious. The
thought ...
I've thought it over very carefully, several times resolving to skip this evening
entirely, and I've decided it is the only way to keep what I'm going to say in all
these eight talks from once again becoming general or, worse, mysterious. The
thought ...
Page 55
Chekhov himself , going on from Stanislavski , worked on what he called “
psychological gesture . ” To give you an example , The Deluge , in which he
played , was a kind of morality play , and had a lot of mean people , all hating
each other ...
Chekhov himself , going on from Stanislavski , worked on what he called “
psychological gesture . ” To give you an example , The Deluge , in which he
played , was a kind of morality play , and had a lot of mean people , all hating
each other ...
Page 148
You should prepare the desire for them , too , so that you can ' t wait until they
arrive ; you should not dread that set rolling in , and that costume that ' s going to
make you uncomfortable , and that prop that will prevent you from flinging your ...
You should prepare the desire for them , too , so that you can ' t wait until they
arrive ; you should not dread that set rolling in , and that costume that ' s going to
make you uncomfortable , and that prop that will prevent you from flinging your ...
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Contents
INTRODUCTION by Harold Clurman | 3 |
Background | 9 |
The Method Itself SECOND LECTURE | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning believe called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |