Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 18
... going to step down and give the center to him on that one line is that they are going to take it all the rest of the time . Oh , they have a lot of tricks ! So actually it comes down to the fact that there are two kinds of technique ...
... going to step down and give the center to him on that one line is that they are going to take it all the rest of the time . Oh , they have a lot of tricks ! So actually it comes down to the fact that there are two kinds of technique ...
Page 24
... going to say in all these eight talks from once again becoming general or , worse , mysterious . The thought that finally determined me was , " Well , it's all published any- way , and there's nothing I'm going to say that isn't in the ...
... going to say in all these eight talks from once again becoming general or , worse , mysterious . The thought that finally determined me was , " Well , it's all published any- way , and there's nothing I'm going to say that isn't in the ...
Page 96
... going to be a difficult moment for the actress because it just so happened that there was not much preparation for it in the scene . I said to her , “ I don't know what you are going to do in this moment . You are on the stage , it ...
... going to be a difficult moment for the actress because it just so happened that there was not much preparation for it in the scene . I said to her , “ I don't know what you are going to do in this moment . You are on the stage , it ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words